书画「金焦落照图」
Date1521
Medium紙本墨畫
ClassificationsCalligraphy
Dimensions14×390英寸（35.6×990.6厘米）
Credit LinePurchased in honor of Jay Xu and Jennifer Chen with funds from the Bill and Anonymous, Anonymous, Mimi and Bill Gates, The Asian Art Council, Jeffrey and Susan Brotman, Lyn and Gerald Grinstein, Jane and David Davis, Christine Y. Nicolov, David and Daphne Tang, Griffith and Patricia Way, Gail Joice, Winifred and Ven Lee, Julie Emerson, Phil Stoiber, Scotty Ray, Albert and Angelina Yen, Mike McCafferty, SAM Volunteers Association, John Stevenson, Sheila Farr, Julie Creahan, Nancy Curtis, and Steve Erickson
Object number2003.1-simchi
Description文徴明是明代出类拔萃的诗人，画家和书法家，受瞬间灵感触发而创作的书画「金焦落照图」，现藏于上海博物馆，本诗以行书写成，是书画中的杰作。诗词跳跃与行列中，创造了丰富的组合形式和韵律， 以及自发性的书法完全参考了米芾的风格(1052-1107)。--Josh Yiu, Associate Curator of Chinese Art, 2007
憶昨浮船下揚子，平飜渺渺波千里。何來䨇雙島挾飛樓，璀璨彤煌截濤起。
夕峯倒墮滿江隂，霜樹高浮半空紫。舟人指 點㸃落日處，凌亂煙光射金綺。
平生快覩無此竒，却恨歸帆北風駛。至今偉蹟在胷中，回首登臨心未已。
偶然興落尺紙間，便欲平吞大江水。固知心手不相能，塗抹聊當臥遊爾
晴窓舒巻日數回，不敢示人聊自喜。水部先生詩有名，忽寄瑶篇重稱媺。
漫云家灋自湖州，自愧區區何足齒。由來題品係名聲，何况先生是詩史。
君不見當年畫馬曹將軍，附名甫集猶不死。
又不見閻公自謂起文儒，池上俄蒙畫師恥。
人生固有幸不幸，拙劣何堪古人擬。江山千載等陳跡，一笑寧湏論非是。
Remembering days gone by, floating down the Yangzi river;
Gliding on the distant waves for a thousand miles.
Where did this pair of islands clasping flying towers come from?
Rising brilliant as gems, a crimson glow that parts the waves;
In the setting sun the mountain peaks are cast down filling the river with its shadow,
The frosty trees reach high and color half the sky purple.
The boatman pointed to where the sun was setting,
The scattered mist lit by piercing threads of light.
Of all the delightful sights I have seen none were ever so wondrous as this,
Yet loath though I was, we turned the sail into the north wind sailing onward.
To this day the traces of its wonder remain in my bosom,
Whenever I think back visiting this site my heart never fails [to be stirred];
Occasionally, my mood [dictates my brush] on the paper,
Right then, I want to swallow whole the great Yangzi River.
Fundamentally, I know my hand is not able to match my heart,
These daubs and smears are only fit for imaginative roaming while relaxing.
Several times a day I unroll this scroll by a sunny window,
Not daring to show it to others, but counting it only as personal pleasure.
Minister of Waterways and Irrigation, you are renowned for your poetry;
Suddenly you sent me fine pieces repeatedly lavishing praise [on my painting],
And casually describing how my family tradition comes from Huzhou (Wen Tong 1018-1079).
So humble and insignificant, why am I worthy of mention?
It has always been other’s colophons and evaluations that establishes one’s reputation,
How much the more [meaningful] from such a poet-historian as yourself!
Sir haven’t you noted that in the past the horse painter, General Cao (Cao Ba, active early 8th c.),
He has been immortalized, because his name is mentioned in the collected works (i.e. poems) of Du Fu?
Haven’t you also noted that Master Yan (Yan Liben, 7th c.) claimed for himself a scholarly origin,
But by the pond he suddenly experienced the embarrassment of being [called] a painter.
One’s life is inevitably filled with fortune and misfortune,
So rough and inferior, how can I compare with the ancients?
The thousand years of mountains and rivers, weighing the traces of the past,
With a laugh, why do we need to debate what is good or bad?
(Translation by Mark Pitner)
On View
On view
1521
1800/1850
1966-06-18
circa. 1963
c. 1825
circa 1850
1921
1964
1621
1621