書畫「金焦落照圖」
Date1521
Medium紙本墨畫
ClassificationsCalligraphy
Dimensions14×390英寸（35.6×990.6厘米）
Credit Line以許杰和珍妮弗·陳德榮譽購買，資金來自比爾和匿名者，匿名者，咪咪和比爾·蓋茨，亞洲藝術委員會，杰弗里和蘇珊布洛特曼，林和杰拉爾德·格林斯坦，簡和大衛·戴維斯，大衛，克莉斯蒂尼柯拉芙，大為和達芙妮·唐，格里菲斯和派屈亞·韋，蓋爾·喬斯，溫富德和溫立，朱莉艾默生，蓋爾·喬伊斯，菲爾·施托伊貝爾，，邁克·麥卡弗蒂，西雅圖藝術博物館志願者協會，約翰·史蒂文森，希拉·法爾，朱莉·肯林漢，南希·柯蒂斯，和史蒂夫·埃里克森。
Object number2003.1-chi
Description文徴明是明代出類拔萃的詩人，畫家和書法家，受瞬間靈感觸發而創作的書畫「金焦落照圖」，現藏於上海博物館，本詩以行書寫成，是書畫中的傑作。詩詞跳躍與行列中，創造了豐富的組合形式和韻律， 以及自發性的書法完全參考了米芾的風格(1052-1107)。--Josh Yiu, Associate Curator of Chinese Art, 2007
憶昨浮船下揚子，平飜渺渺波千里。何來䨇雙島挾飛樓，璀璨彤煌截濤起。
夕峯倒墮滿江隂，霜樹高浮半空紫。舟人指 點㸃落日處，凌亂煙光射金綺。
平生快覩無此竒，却恨歸帆北風駛。至今偉蹟在胷中，回首登臨心未已。
偶然興落尺紙間，便欲平吞大江水。固知心手不相能，塗抹聊當臥遊爾
晴窓舒巻日數回，不敢示人聊自喜。水部先生詩有名，忽寄瑶篇重稱媺。
漫云家灋自湖州，自愧區區何足齒。由來題品係名聲，何况先生是詩史。
君不見當年畫馬曹將軍，附名甫集猶不死。
又不見閻公自謂起文儒，池上俄蒙畫師恥。
人生固有幸不幸，拙劣何堪古人擬。江山千載等陳跡，一笑寧湏論非是。
Remembering days gone by, floating down the Yangzi river;
Gliding on the distant waves for a thousand miles.
Where did this pair of islands clasping flying towers come from?
Rising brilliant as gems, a crimson glow that parts the waves;
In the setting sun the mountain peaks are cast down filling the river with its shadow,
The frosty trees reach high and color half the sky purple.
The boatman pointed to where the sun was setting,
The scattered mist lit by piercing threads of light.
Of all the delightful sights I have seen none were ever so wondrous as this,
Yet loath though I was, we turned the sail into the north wind sailing onward.
To this day the traces of its wonder remain in my bosom,
Whenever I think back visiting this site my heart never fails [to be stirred];
Occasionally, my mood [dictates my brush] on the paper,
Right then, I want to swallow whole the great Yangzi River.
Fundamentally, I know my hand is not able to match my heart,
These daubs and smears are only fit for imaginative roaming while relaxing.
Several times a day I unroll this scroll by a sunny window,
Not daring to show it to others, but counting it only as personal pleasure.
Minister of Waterways and Irrigation, you are renowned for your poetry;
Suddenly you sent me fine pieces repeatedly lavishing praise [on my painting],
And casually describing how my family tradition comes from Huzhou (Wen Tong 1018-1079).
So humble and insignificant, why am I worthy of mention?
It has always been other’s colophons and evaluations that establishes one’s reputation,
How much the more [meaningful] from such a poet-historian as yourself!
Sir haven’t you noted that in the past the horse painter, General Cao (Cao Ba, active early 8th c.),
He has been immortalized, because his name is mentioned in the collected works (i.e. poems) of Du Fu?
Haven’t you also noted that Master Yan (Yan Liben, 7th c.) claimed for himself a scholarly origin,
But by the pond he suddenly experienced the embarrassment of being [called] a painter.
One’s life is inevitably filled with fortune and misfortune,
So rough and inferior, how can I compare with the ancients?
The thousand years of mountains and rivers, weighing the traces of the past,
With a laugh, why do we need to debate what is good or bad?
(Translation by Mark Pitner)
On View
On view
1521
1800/1850
1966-06-18
circa. 1963
c. 1825
circa 1850
1921
1964
1621
1621